Arbutus Aurum, 2100

Oil, 24 x 36

This painting was commissioned by Rebecca Campbell to be used in promotional material for her forthcoming book. And here is a review of the book from “Quill and Quire”.

https://quillandquire.com/review/arboreality/

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Dryad

In Greek mythology, a Dryad is a nymph or nature spirit who lives in trees and takes the form of a beautiful young woman. This painting was commissioned by a friend who is as close to being a dryad as is possible while still being a human woman. She spends hours in the woods with the trees and is here painted emerging from her favourite arbutus.

Dryad Oil 24 x 24
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Portals Arts Council Gallery in Duncan

Along with four other artists I will be showing for the month of April 2022

Meadow Oil 12 x 12
Cherry Point Road I Acrylic 10 x 10
Cherry Point Road II Acrylic 10 x 10
Cobble Hill Arbutus Acrylic 10 x 10
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From when Rebecca lived in Vancouver

View Over Mount Pleasant, Summer Evening 30″x 20″ Acrylic

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Portrait of Davey

Davey 24″x 24″ Cold Wax and Oil

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Cowichan River Estuary

Cowichan River Estuary Oil, 36″x36:

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More Arbutus

Arbutus, Mt Tzouhalem Oil, 24″x 36″

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‘Our Estuary’ Painting for Cowichan Valley Hospice Building

In late autumn I was commissioned to make a painting for our new hospice building here in the Cowichan Valley. The brief was for a panorama landscape on five canvases that was recognizable as a place here in our valley. I chose the Cowichan estuary because I love it for it’s openness and light and because it is central to the ecosystem of the area. From it one can see two landmarks familiar to anyone living here – Mount Tzouhalem in the centre and Mount Provost in the distance.
I’m honoured to have been asked to do this because of the work the Hospice Society does with sensitivity and compassion.

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Taksim Square Book Club, 2013

On 17 June 2013, in response to weeks of violent police attacks on protesters,  the performance artist Erdem Gündüz stood in Istanbul’s Taksim Square for eight hours. He had a backpack at his feet and his hands in his pockets, and stared fixedly at the Ataturk Cultural Centre. Over the following weeks, men and women recreated Gündüz’s vigil, bringing with them books like 1984, The Metamorphosis, Hard Boiled Wonderland and the End of the World

The Taksim Square Book Club is powerful because of its contradiction.  It is resistance suitable for the Instagram era, quiet and unobtrusive, but photogenic and viral.  These public displays of private thought remind us of the end goal of contemporary authoritarian states: not the control of space, but the control of minds. In Turkey, after months of protest and state violence, the act of reading literature in public became dangerous in a way that it hasn’t been for decades—at least in the west. These public gatherings also politicize a private moment that cannot be reached by an authoritarian government—at least, not until the clubs come out.  

I am startled by their powerful vulnerability and that such a simple act can be so moving.

Text courtesy of Rebecca Campbell

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Figure Drawing Week, 2019

We have just finished five full days of life drawing. It was intense and thoroughly satisfying to spend time together with other artists in pursuit of a decent drawing and more importantly – skill. Here are a few examples of my work. These range from two to five minute sketches (the first three) to thirty to forty five minute studies (the rest).

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Oyster Project

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In preparation for this series I read a report on the Cowichan Bay Pacific oysters published by Dr. Goetz Schuerholz.  Dr. Schuerholz’ paper elucidated the importance of these creatures as a keystone species: they provide habitat for other organisms, sequester carbon, purify and filter water, absorb bio-toxins.  Any of these elements would make worthy subject matter for paintings. However, of the many aspects of these creatures and habitat I have chosen three elements on which to focus for this series of paintings; 1) the layering of silt and gravel to create the habitat, 2) the flow of tides and of the fresh waters into the bay, and 3) the shapes of the oysters and their accretion in beds.

Rather than render the appearance of beds I have chosen to interpret these phenomena more abstractly – 1) by applying multiple layers of semi transparent paint over marks and other colours, 2) by using wandering line and shapes suggesting movement to evoke a sense of flow, and 3) by using a theme of ovoid shapes suggesting the oysters.

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Estuary, Again

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Acrylic 12 x 12

estuary 1

oil 7 x 7

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Acrylic 16 x 20

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New Abstract Work

 

These are small (8×8 inches) acrylic on raised panels.  They lend themselves to being arrayed in grids.

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Here are a few small landscapes from a recent group show.

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Three Rocks, Acrylic
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Cowichan Estuary, Acrylic
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Off Wilmot Road,  Oil

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Old Arbutus,  Oli
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Mill Bay Rocks,  Oil

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Mt Tzouhalem,    Oil

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Malahat Lookout,   Oil
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Behind the Old Home Place,   Acrylic
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Wetlands and Hilltops

This evening was the opening of my solo show at Shibui Gallery in Maple Bay.  I’m posting images of paintings here.   They are mostly in oil with a few acrylic and cold wax.  Also included in the show were the works in the posts ‘Estuary’ and ‘More Estuary’.

 

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Acrylic 8 x 12

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Acrylic 24 x 24

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More Estuary

I have been working on a series based on one of my favorite places in the valley, the Cowichan Valley Estuary.  For decades it has been the site of industry resulting in damage to the delicate ecosystem.   Last week I attended a fund raising event to support projects aimed at it’s recovery –  part of which was an art show.   These are a few pieces from the show.

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Life Drawing Workshop – 2016

This week we started our fourth annual week of drawing the figure.  I’ll be posting at least one drawing from each day.   These graphite drawings were done on Thursday and Friday.

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Cowichan Estuary

I still do representational work.P4160264resizedOil on panel   24″ x 48″

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Painting With Wax

This is new work using oil paint with cold wax as the carrying medium.  Neither of these pieces are particularly original nor finished but provide me with the opportunity to learn how to use the medium.

I’m looking for a less literal way to deal with the landscape in which I live.   So much to learn!

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Oil and cold wax on panel 24″ x 24′

 

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Oil and cold wax on panel   34″ x 48′

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Trying new things

I have always wanted to do purely abstract art but have found it to be much more difficult than it looks.  Lately I have made another attempt.  Here are a few examples – which may or may not be finished.  I have used acrylic because it lends itself to doing thin layers of glazes and it dries quickly so I can easily do as was done in these and paint over it.  Each of these has several paintings underneath.

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Ireland

Some time ago my sister and I were in Ireland.  These are a few paintings from that trip.

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Dingle Oil 16 x 20

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Dunbeg, Dingle Acrylic 16 x 20

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Donegal  Acrylic 11 x 16

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Dingle Oil 16 x 20

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De Courcy Island

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This is  painting of a steep path to the beach on De Courcy Island.
Oil, 24″ x 36″

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Life Drawing Marathon 2015

Graphite

Graphite

Colourd pencil

Colourd pencil

Coloured pencil

Coloured pencil

Graphite

Graphite

Conte

Conte

Graphite

Graphite

Pastel on grey paper

Pastel on grey paper

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Carmen’s and Jock’s house

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Pleine Aire

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A few Landscapes

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Looking Across Saanich Inlet to Mount Newton 48″ x 36″   Oil on Board

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Telegraph Road Field 14″ x 11″ Oil on Canvas

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Arbutus, Saltspring 34″ x 48″ Oil on Board

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This and the next are both of Arbutus at the top of Cobble Hill. Both are 24″ x 24″ and are Oil on Canvas

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Life Drawing Marathon, 2014

Yesterday was the last of five days of drawing with good friends and fine artists.  We worked hard, had fun together and fully enjoyed the coffee breaks. Every year I prime myself for the breakthrough that will bring about a masterpiece and yet again that experience has eluded me.  In making art the flashes of genius and inspiration are rare to nonexistant and the putting of one foot in front of the other to reach the objective is the norm.  Here are a few pieces from the last few days.

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Whiskey point Arbutus

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oil on canvas 30″ x 40″

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Gary Oak Meadow, Somenos Lake

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oil on canvas 36″ x 36″

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Mount Newton from Across Saanich Inlet

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Oil on Board 34″ x 48″

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Ju

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Figure Study, coloured pencil on paper

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